Публікації у наукових журналах, які індексуються у науково-метричних базах Web of Science i Scopus
Kijanovska, Luba. Leopolis – Lvov – Leopoli – Lviv – ЛЬBІB – ЛЬBOB in Galicia – A Meeting Place of different National Cultures (until “Spring of Nations” 1848)GLASBENE MIGRACIJE: STICISCE EVROPSKE GLASBENE RAZNOLIKOSTI / MUSICAL MIGRATION: CROSSROADS OF EUROPEAN MUSICAL DIVERSITY Book Series: Studia Musicologica Labacensia. Volume: 1. Pages: 167–183 Published: 2017. WoS.
Kijanovska, Luba. Opera as Market: Opera Productions as Marketing Trick. VLOGA NACIONALNIH OPERNIH GLEDALISC V 20 IN 21 STOLETJU – ROLE OF NATIONAL OPERA HOUSES IN THE 20TH AND 21ST CENTURIES/ Book Series: Studia Musicologica Labacensia. Volume: 3. Pages: 143–153. Published: 2019. WoS.
Kijanovska, Luba. Ukrainian Composers School in the Interwar Period of the 20th Century: Between Modernism and socialist RealismNOVA GLASBA V ‘NOVI’ EVROPI MED OBEMA SVETOVNIMA VOJNAMA Book Series: Studia Musicologica Labacensia Volume: 2 Pages: 89–105 Published: 2018. WoS.
Kiyanovska, Lubov; Krynski, Andrzej; Stets, Halyna. RELIGIOUS THEMATICS IN UKRAINIAN MUSICAL CULTURE OF THE XIXTH CENTURY: HISTORICAL PREREQUISITESSKHIDNOIEVROPEISKYI ISTORYCHNYI VISNYK-EAST EUROPEAN HISTORICAL BULLETINIssue: 13Pages: 40–49Published: 2019.WoS.
Kyyanovska, Liubov; Andrushchenko, Victor; Fedoryshyn, Vasyl.Фiлософсько-естетичнi вимiри вiтаїзму у творчостi Мирослава Скорика: Published:Nov 2020 in Interdisciplinary Studies of Complex SystemsWoS,DOI: 10.31392/ISCS.2020.17.043http://iscs-journal.npu.edu.ua/article/view/216969.
Кияновська Л.Віденська музична україніка і творчість Андрія Гнатишина. Міждисциплінарні дослідження складних систем / Interdisciplinary studies of complex systems, № 20, 2022, с. 113–116. № 20 (2022) | Мiждисциплiнарнi дослiдження складних систем (npu.edu.ua) WoS, DOI: https://doi.org/10.31392/iscs.2022.20.113
Kyianovska, L (Kyianovska, Liubov); Fedoryshyn, V (Fedoryshyn, Vasyl);Melnyk, L (Melnyk, Lidia); Kozyr, A (Kozyr, Alla). LIUDKEVYCH AND ZEMLINSKYI: A TYPOLOGICAL COMPARISON OF TEACHER AND STUDENT. Interdisciplinary studies of complex systems, № 19, 2021, с. 160–166. WoS, DOI: 10.31392/iscs.2021.19.160.
Melnyk L. Zerspaltene Objektivität: Zur Entwicklung der Sprache der Moderne in der Musikkritik nach 1900 (Am Beispiel der Betrachtungen über „Junges Polen“ in der polnischen und deutschen Presse – die Konsonanzenforschung). Lietuvos muzikologija Nr. 17, 2016, S.37-45. URL: http://žurnalai.lmta.lt/wp-content/uploads/2017/02/Lietuvos-muzikologija-17-–-Melnyk.pdf. Indexed by Scopus.
Pylatyuk I., Sydorenko L., Katrych O., Chubak A. Chamber Music of the Second Half of the 20th Century as a Form of International Cultural Dialogue and Self-Identification. Journal of History Culture and Art Research. 9 (2). 2020. P. 236-251. (Web of Science).
Frait, O.,Katrych, O., Novakovych, M., Maychyk, O., Maychyk, N. “Isch Grolle Nischt” by Heinrich Heine in Musically and Comparative Discourse of an Eminent Text. Studies in Media and Communicationthis link is disabled, 2022, 10(3), pp. 77–83. Indexed by Scopus.
Novakovych M., Katrych O.,Chacinski J. (2021). The role of music culture in the processes of the ukrainian nation formation in Galicia (the second half of the XIXth – the beginning of the XXth century). East European Historical Bulletin, Vol. 19, рр. 66-76. (Web of Science).
Novakovych, M., Katrych, O.,Medvedyk, J. (2020). Inter-Slavic cultural contacts as the component of liturgical reforms of greek catholic church of Galicia in first half of the 19th century. Slavica Slovaca, Vol. 55 (2), рр. 277–286. Indexed by Scopus.
Kachmar M., Osinchuk J. The Interpretation of the “Adam” Theme in Slavonic and Ukrainian Written Sources of the 12–17th Centuries. Ostkirchliche Studien, B. 70, 2020. S. 118-133. Indexed by Scopus.
Yefimenko, A.(2022). A Conceptual Search for a Typology of Opera Projects in the Present Day. Konceptuali šiuolaikinių operos projektų tipologijos paieška.Lithuanian Musicology 23 Vilnius 2022.Pр.34–46. https://issuu.com/linanavickaite.eu/docs/typologies2021_m Indexed by Scopus.
Lastovetska-Solanska, Z.Solanskyi, S.(2021). Cultural and educational paradigm of National University “Ostroh Academy” Review of: Ostroh Academy: History and Modernity of the Cultural and Educational Center / ed. by I. Pasichnyk, P. Kraliuk, D. Shevchuk and the others. 3rd ed. Ostroh:Ostroh Academy National University PublishingHouse, 2019.720 p.East European Historical Bulletin. No 19. Pp. 239-244.URL:http://eehb.dspu.edu.ua/article/view/233844DOI:https://doi.org/10.24919/2519-058X.19.233844 Indexed byWeb of Science.
Lastovetska-Solanska, Z.,Dyka, N.,Velychko,O., Saldan, S., & Makovetska, I. (2022). Current Trends in Music Pedagogy in Higher Educational Institutions. Journal of Higher Education Theory and Practice, 22 (18). Atlanta: North American Business Press. Pр. 163–174.DOI:https://doi.org/10.33423/jhetp.v22i18.5710 Indexed by Scopus.
Antonyuk, I., Marchenko, V., ChengYunjia, LinYitong, Khovpun, O.S. (2021). ThreatricalityinContemporarySymphonicmusic.GeintecRevista. Gestäo. InnovaçäoeTechnologias. Brazil. Vol. 11. No 3. Рр. 861–869.Issue. 11. DOI: 10.21744/lingcure.v5nS4.1569 IndexedbyScopus.
Zinkiv І.Academization of the Ukrainian Bandura by the Proficient Bandura-Craftsmens of the XX – Early XXI Centuries//RevistaGeintec – Gestao, Innovacao e Technologias. Vol. 11. # 4. 2021. P. 2459–2480. (SCOPUS).https://doi.org/10.47059/revistageintec.v11i4.2295
Zinkiv І.Non-musical markers of the structure and content of musical works at the end of the 20thcentury// Ad Alta. Journal of Interdisciplinary Research. 2021.Volume 11, issue 01. Р. 37–41. (co-autors Siuta B., DovhalyukІ., MarkovaО.,HrabU.) pdf: www.doi.org/10.33543/1101 (WOS).
Zinkiv I,Terskyі S. Archaeological musical instruments from the territory of Galicia-Volhynia state as part of Slavic instruments of the X – XIV centuries // East European Historical Bulletin. 22,2022. рр. 8–23. DOI10.24919/2519-058X.22.253745 (WOS).
Olha Shumilina,MarynaVarakuta.Baroque opera on the Contemporary Ukrainian Theatre Stage:Ideas and Solutions.Kyiv-Mohyla Humanities Journal/ National University of Kyiv-Mohyla Academy. № 7 (2020). С. 225–232. (Web of Science).
Olga Shumilina.Das Strophenprinzip beim kirchlichen Gesang der Kiewer Metropolie der 17.-18. Jahrhunderte.Musicological Annual. Muzikološki Zbornik : Preučevanje glasbe na Slovenskem nekoč in danes. Ljubljana : Univerza v Ljubljani, filozofska fakulteta, 2021. Vol. LVII/1. S. 5–23.(Scopus).DOI: 10.4312/mz.57.1.5-23
Шуміліна О. А.Церковно-співацька збірка Михайлівського Золотоверхого монастиря з фондів Інституту рукопису Національної бібліотеки України імені В. І. Вернадського: підсумки наукових спостережень. Рукописна та книжкова спадщина України : археограф. дослідж. унікальних арх. та бібл. фондів. Київ: НБУВ, 2022. Вип. 29. С. 23–35. (Scopus).DOI: https://doi.org/10.15407/rksu.29.023
Pysmenna, O., Myshko, S.Cherevko, K. Stylistics of Impressionism in the song cycles of Lesia Dychko “Pastels” and “Enharmonic” on the poems by Pavlo Tychyna. Studia Universitatis Babes-Bolyai Musica, 66 (1), 159-177. DOI 10.24193/subbmusica.2021.1.11 (видання, включене до міжнародної наукометричної бази Web of Science).
Fu, X.,Cherevko, K., & Pysmenna, O.(2021). Performing skills of Li Yundi in the context of China’s leading trends in the piano art development. Amazonia Investiga,10(46), 42-50. https://doi.org/10.34069/AI/2021.46.10.4 (видання, включене до міжнародної наукометричної бази Web of Science).
Cherevko, K., Grabovska, O., Trakalo, O., & Kalyn, R.(2020). Some Aspects of Baroque Music Performance: An Examination on Concert and Festival Life of Lviv, Ukraine. Journal of History Culture and Art Research, 9(4), 236-246. doi:http://dx.doi.org/10.7596/taksad.v9i4.2912 (видання, включене до міжнародної наукометричної бази Web of Science).
Lukashenko, Larysa.Musical Culture of Podlasie: Change, Transformation, Assimilation // Tautosakos darbai: Folklore Studies. Vilnus: Lietuvių literatūros ir tautosakos institutas, 2020. P.147–164. Індексується в базі Scopus.
Dovhaljuk Iryna,Dobrjanska Lina.Třicet let samostatné ukrajinské etnomuzikologie (1990с2020) // Národopisna revue. 2021, № 2. S.121–133. Індексується в базі Scopus. ISSN 0862-8351 (Print), ISSN 2570-9437 (Online). https://revue.nulk.cz/wp-content/uploads/2021/07/r2-2021.pdf#page=21
Siuta Bogdan, Dovhalyuk Iryna,Markova Olena, Zinkiv Iryna,HrabUliana.Non-Musical Markers of the Structure and Content of Musical Works at the end of the 20-th Century// AD ALTA: Journal оf Interdisciplinary Research (The Czech Republic). Vol. 11, Issue 01 (11/01), June, 2021, ISSN 1804-7890, ISSN 2464-6733 (Online). DOI number for your academic records: doi.org/10.33543/1101 Р. 37–41. Індексується в базі Web of Science.
Довгалюк Ірина. Ірина Клименко, Обрядові мелодії українців у контексті слов’яно‑балтського раньотрадиційного меломасиву: типологія і географія, Київ: Національна музична академія України ім. П.І. Чайковського 2020, Т. 1: Монографія, сс. 360; Т. 2: Атлас, сс.100 + CD [Рецензія]// Slavia Orientalis. TomLXXI. NR 1. ROK 2022. S. 223–226.DOI: 10.24425/slo.2022.141157 (Журнал індексується в базі Scopus).
Жишкович М.А.Щаблі артистичної майстерності оперного співака Ігоря Кушплера. Київ, Вісник НАКККіМ. №1, 2018., с. 168-172. (Web of Science).
Cherevko, K.,Grabovska, O., Trakalo, O.,& Kalyn, R.(2020). Some Aspects of Baroque Music Performance: An Examination on Concert and Festival Life of Lviv, Ukraine. Journal of History Culture and Art Research, 9(4), 236-246. doi:http://dx.doi.org/10.7596/taksad.v9i4.2912. (Web of Science).
Cherevko, K.,Zhyshkovych, M.,Kalyn, R.,& Komarevych, I.(2021). Master class as a leading pedagogical technology in professional improvement of individual performing qualities of singers. Amazonia Investiga, 10(47), 282-292. https://doi.org/10.34069/AI/2021.47.11.29. (Web of Science).
MyroslavaM. Kachur, IrynaA. Dikun, Myroslava A. Zhyshkovychetal. Digital educational spase in the professional training of a musical art teacher // Revista de la Universidad del Zulia. Ciencias de la Educacion. 3 época. Ano12 N35, 2021, p. 160-180.https://doi.org/10.46925//rdluz.35.10. (Web of Science).
Gabriella Astalosh, Lesia Mykulanynets,Myroslava Zhyshkovych. Musical Perfomanse in the Age of Postmodernism. Postmodern Openings 2022. Volume 13, lssue 1, pages 01-16.https://doi.org/10.18662/po/13.1/. (Web of Science).
Myroslava Zhyshkovych, NazariyPylatyuk,YaroslavOleksivetal. Formation of Individual-Autor Identiti in the Process of Trainin Future Teachers of Music. Journal of Curriculum and Teaching, Vol. 11, № 6 (2022),pages 55-66. https://doi.org/10.5430/jct.v11n6p55 (Scopus).
Karpyak, A.(2020). Flute Art in the Light of the Historical Significance of Methodological Schools and Directions in Music Education: The Past and Present // Journal of History Culture and Art Research, ISSN / eISSN: 2147-0626, Tarih Kültür ve Sanat Araştırmaları Dergisi. – T.9 (1). – KARABUK UNIVERSITY, MAIN CAMPUS, BALIKLARKAYASI, KARABUK, TURKEY, 2020. – p.286-294. doi:http://dx.doi.org/10.7596/taksad.v9i1.2545 (Web of Science).
Hereha, M., Korol, O. (2021). Os modernos métodos inovadores da pedagogia musical e as disciplinas de actuação musical no ensino secundário no contexto do estudo à distância. Laplage Em Revista, 7(3B), p.628-635. https://doi.org/10.24115/S2446-6220202173B1606p.628-635 WOS:000703246000034 (Web of Science).
Starko Volodymyr, Azhnov Vitalii, Dzhevaha Hryhorii, Hurbanska Antonina and Mykhaliuk Alla. IJCSNS International Journal of Computer Science and Network Security, VOL.22 No.3, March 2022 547 Manuscript received March 5, 2022 Manuscript revised March 20, 2022 https://doi.org/10.22937/IJCSNS.2022.22.3.70 Information Technologies in Education: Current Realities and Development Trends (Web of Science).
Hnatyshyn, O. (2022). The Kyiv Music-Theoretical School in the Vortex of the Modernistic Trends of the Beginning of the Twentieth Century. Lietuvos muzicologija, t. 23, p. 116-124. (Scopus).
Мазепа, Тереса. Соціокультурні функції музичних товариств / Sociocultural
functions of musical societies in Europe of the ХІХ century – beginning of the
ХХ century. Вісник Національної академії керівних кадрів культури і
мистецтва. Київ 2017, С. 187–191. DOI: doi.org/10.32461/2226-
3209.4.2017.138829; http://journals.uran.ua/visnyknakkkim/article/view/138829
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Khrystyna Pletsan, Galyna Fesenko, Teresa Mazepa, Nataliia Syrotynska, Alla
Moskaljova, Vadym Osaula, Training of future managers of the culture sphere.
AD ALTA. Journal of Interdisciplinary RESEARCH. SPECIAL ISSUE NO.:
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